Several broadcasters like ITV and Turner Sports have been using XR (Extended Reality) from disguise to create hybrid studios without the challenges and limitations of green screens. “This plug-and-play virtual graphics box is designed to double the rendering performance of real-time graphics at the highest possible stability.” “As a response to the need for performance and scalability, we’ve recently launched a new hardware product, Re Ampere,” he continues. “Our declared goal is to fuse reality and virtual reality so much that you’d need to be super-educated to understand that this is CG and not part of the real scenery,” Gerhard Lang, Vizrt We’re constantly improving the Keyer and planning to take advantage of the AI algorithms coming onto the scene.” This provides spectacular results for keying contact shadows, transparent objects and sub-pixel details like hair. “For photorealistic composites, we’ve responded by developing Reality Keyer, the world’s first real-time image-based keyer that works on the GPU and that is aware of camera tracking. Öner says customers regularly ask for three things: photorealism, performance and scalability. “This new product will open new horizons to content creators.”
“We are working on building a new software architecture for the media and entertainment space that will include multi-GPU and multi-node capabilities,” he adds. “This will include the ability for broadcasters to have virtual assets dynamically lit with real-time global illumination, better reflections and higher resolution shadows for more photoreal virtual and AR graphics than ever before - all with faster performance.” “We’ll deliver an updated version of Reality to take advantage of Unreal Engine’s new rendering features,” says Öner. Singular.live and Reality Check Systems (RCS) power live coverage of The Grand National Festival on the Racing Post YouTube channel Zero Density’s real-time compositing software, Reality, uses Unreal Engine as its renderer, which has just seen the release of its fifth iteration by Epic Games. Entire stadiums can be filled with virtual fans or billboard ads.
Sports personalities can be teleported into virtual sets from across the world. For instance, a weather forecaster can now show snow falling in the studio rather than just talk about a snowy storm miles away. “This has huge benefits when it comes to storytelling and engaging audiences with more immersive experiences. “Trends like virtual studios and AR mean broadcasters can now visualise anything for their audience,” says Hakan Öner, Business Development Manager for Nordics and DACH, Zero Density. In the end, data is king so how can you present the data or bring in new content? Those are the areas that are crucial for producers and where we get the most requests.” No matter whether this is a news show or a sports show, people will focus on how you present the content, and how you explain what was happening. “But the whole thing needs to be functional. “For the producers, having an opening and catching the viewer’s attention of course is super important,” says Vizrt CTO Gerhard Lang.
OBJ file which includes geometry with baked textures.Singular for Good partner Poltava TV (PTV) is a Ukrainian non-profit news channel using Singular to help deliver reliable information to the population of Ukraine
EVA archive which contains the whole scene ready and tested to go on air.The scene also contains sophisticated techniques for reflections. VizRt customers can benefit from the included. Post production studios can use the original formats to customize the studio to their preference. Baked version included (ready to go on air)in. Built in Maya and tested in 'VizRt' Virtual set for optimal performance.Įfficient modeling and UV space usage (below 19K polys, 270MB texture memory allocation on a VizRt engine) Suitable for 25x25ft (8x8m) physical studio
American style virtual set for elections or news.Ī big set with many screens and angles for a variety of shots.